A bit of trimming this morning.
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Here's that patch, all glued in. It doesn't really look that great, but it is solid. I think function over form might be important here - the side is so thin and weak, I really don't want to fool with it too much. |
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It is rather proud of the surrounding wood, though. |
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Sandpaper won't do the job here (I almost wrote "sandpaper won't cut it", and thought better of myself), so I have to use a chisel to just nibble at the patch until it is flat. There is a great chance that I will poke right through the surrounding wood, so I had to take my time. |
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Not bad. It really is obvious, but when it's finished it won't be too bad. Hey, if you don't want an ugly patch on your instrument, don't break it!! |
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I looked over my table and had an idea... |
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A little coffee would darken that patch up, right? |
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It's worth a shot. And it helped a bit. |
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Turning to the other uke, it was time to remove the clamp and cauls. The magnets were there to help me place the caul inside. |
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Nice!!! |
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Love the decorations on the neck. |
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Cool decal on the headstock. I strung the uke up and - meh. It's really purty, but quiet and muffled sounding. Ah well, they can't all be winners. |
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That patch is much less bright now. |
I figure that the surrounding koa has oxidized while sitting unfinished for the last couple of years. I'll hit it with some fine steel wool before I start with the shellac. It should turn out well. I need to get to that binding, though. That will be an interesting job!
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