A bit of trimming this morning.
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| Here's that patch, all glued in. It doesn't really look that great, but it is solid. I think function over form might be important here - the side is so thin and weak, I really don't want to fool with it too much. | 
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| It is rather proud of the surrounding wood, though. | 
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| Sandpaper won't do the job here (I almost wrote "sandpaper won't cut it", and thought better of myself), so I have to use a chisel to just nibble at the patch until it is flat. There is a great chance that I will poke right through the surrounding wood, so I had to take my time. | 
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| Not bad. It really is obvious, but when it's finished it won't be too bad. Hey, if you don't want an ugly patch on your instrument, don't break it!! | 
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| I looked over my table and had an idea... | 
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| A little coffee would darken that patch up, right? | 
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| It's worth a shot. And it helped a bit. | 
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| Turning to the other uke, it was time to remove the clamp and cauls. The magnets were there to help me place the caul inside. | 
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| Nice!!! | 
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| Love the decorations on the neck. | 
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| Cool decal on the headstock. I strung the uke up and - meh. It's really purty, but quiet and muffled sounding. Ah well, they can't all be winners. | 
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| That patch is much less bright now. | 
I figure that the surrounding koa has oxidized while sitting unfinished for the last couple of years. I'll hit it with some fine steel wool before I start with the shellac. It should turn out well. I need to get to that binding, though. That will be an interesting job! 
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